Let Me Introduce You To Sybrina Songs
I’ve been a singer/songwriter for too many years to count. I never reached fame and fortune but that won’t stop me from sharing some of my favorites with you now and again. Enjoy.
No Angel
Lyrics & Vocal Melody–Sybrina Durant
Musical Composition–Josef Kalna
© 2010 Sybrina Publishing
IHeart Radio Link
http://itunes.apple.com/album/id400722585?ls=1&app=itunes
http://itunes.apple.com/album/id/400722585
https://open.spotify.com/embed/album/4iqdYjYotMFijXq6UKfIoH
Lyrics
Long brown hair,
down to there.
Big blue eyes
that mesmerize.
Soft white skin,
Kissable lips.
How easily you fell for the face like an angel.
I’m not a goddess or a movie queen.
So don’t you be distracted by my physicalities.
You’ll be disappointed if that’s all you see,
cause I’m a real woman with a real woman’s needs.
Don’t put me on a pedestal,
cause I’m no angel, no.
Don’t put me on a pedestal,
cause I’m no angel,
I’m no angel, no.
Untamable spirit.
A sensory addict.
Incurable dreamer.
Neighbor’s grass is always greener.
Unquenchable desires, always reaching higher.
Independent nature, boy, you don’t know what you’re in for.
If you’re looking for perfection, better move along,
cause I’ve got scars and blemishes on my emotions.
I’ve done all the world has offered me at least once
cause I’m a real woman who goes after what she wants.
Don’t put me on a pedestal.
Cause I’m no angel, no.
Don’t put me on a pedestal.
Cause I’m no angel,
I’m no angel, no.
Real love is what I need, Not some fantasy.
Just a man who sees the woman who is really me.
Who loves me anyway, no matter what I do or say.
Whose happy just to love me and to come home to me everyday.
Don’t hang no persona around my neck that I’ll reject.
I’d hate to disappoint you or to lose your respect.
So, here are all the warts and flaws,
right up front to give you pause…
Cause I’m a real woman, baby,
even more than you’d expect.
Don’t put me on a pedestal,
cause I’m no angel, no.
Don’t put me on a pedestal,
cause I’m no angel,
I’m no angel, no.
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Song Analysis:
The song “No Angel” encapsulates a powerful message about the complexities of womanhood and the desire for authentic appreciation beyond mere physical beauty. This song resonates with a generation that grappled with the expectations placed upon women in a media-saturated world. The opening lines set the stage for a conversation about perception and reality, inviting listeners to consider the multifaceted nature of femininity and the ways women are often objectified.
The imagery in the lyrics cleverly intertwines the allure of physical beauty with the frustration of being seen solely through that lens. The mention of “long brown hair,” “big blue eyes,” and “kissable lips” serves to highlight societal beauty standards while simultaneously questioning the listener’s inclination to judge solely on appearance. The refrain, “Don’t put me on a pedestal, cause I’m no angel,” acts as a rallying cry against these superficial expectations. The repetition emphasizes the insistence that there is more to feminine identity than meets the eye, establishing a dichotomy between the angelic and the flawed, the ideal and the real.
In the context of early 2000s pop rock, this song draws comparisons to anthemic tracks by female artists navigating similar themes. Artists like Alanis Morissette and Fiona Apple rose to prominence during this era, using raw and unapologetic lyrics to challenge traditional portrayals of women in music. In Morissette’s “You Oughta Know,” for instance, the visceral emotions around heartbreak explode in a fusion of anger and vulnerability, similarly urging listeners to embrace the messiness of real life. Yet, whereas Morissette’s approach captures a tempestuous exit from a relationship, “No Angel” leans into self-empowerment and self-acceptance.
In the chorus, the repeated declaration “I’m no angel, no” pivots attention from the expectations placed upon women to a self-affirmation of authenticity. It speaks volumes about the artist’s rejection of idealization and her embrace of emotional reality. The connection she establishes between her imperfections and her humanity serves as a reminder that beauty is complex and multifaceted. Similarly, the lyric “I’m a real woman with a real woman’s needs” underscores the essential truth that femininity encompasses desires that extend beyond romantic or aesthetic appreciation.
As the song progresses, there is a palpable shift to introspection, illustrated by the lines reflecting on dreams, desires, and aspirations. The phrase “untamable spirit” captures a sense of independence, while also hinting at the restless yearning that characterizes the pursuit of one’s identity. This desire for authenticity becomes deeply intertwined with the idea of longing—not just for love but for genuine connection. The mention of “unquenchable desires” evokes a sentiment of striving, suggesting that the quest for fulfillment extends far beyond societal expectations.
Moreover, the candid approach of “I’ve got scars and blemishes on my emotions” reinforces vulnerability as a strength. It is an acknowledgment that life does not come without its struggles and that beauty lies not only in flawlessness but in resilience. The acknowledgment of imperfections marks a departure from the polished, often unrealistic portrayals of femininity depicted in pop culture narratives. The song’s refusal to conform to the stereotype of an idealized woman plays a significant role in the artist’s desire to be seen in her entirety.
Regarding the current landscape of popular music, female artists such as Lizzo and Billie Eilish continue to embrace similar themes of self-acceptance and authenticity. Lizzo’s “Truth Hurts” celebrates self-love while critiquing misogyny, and Eilish’s introspective lyrics often explore the complexities of mental health and identity. Both artists represent a shift towards a more inclusive and realistic portrayal of women in music, proving that the celebration of one’s flaws and vulnerabilities can resonate powerfully across generations.
In an era where digital personas often overshadow genuine connections, the message of “No Angel” retains its relevance. The yearning for “real love” as expressed in the song speaks to a universal desire for depth in relationships, advocating for an appreciation of the whole person rather than a fabricated ideal. Lyrics such as “Just a man who sees the woman who is really me” not only challenge the listener but also set a standard for the kind of love and respect that every individual, regardless of gender, deserves.
The closing lines emphasize a rejection of imposed identities that may suffocate individuality. By asserting, “I’d hate to disappoint you or to lose your respect,” the vocalist navigates the delicate balance between self-preservation and the fear of judgment. This candor is refreshing, especially when placed against the backdrop of an industry that has often commodified femininity.
As the final chorus echoes the central theme, it serves as a powerful conclusion that ties together the various threads of the song. It is a declaration not just of an individual identity but also a broader cultural commentary on the nature of womanhood—the resilience, complexity, and undeniable beauty found in being unabashedly oneself, scars and all. In its catchy pop-rock arrangement, anchored in the synthesized sound of its time, “No Angel” triumphs as an anthem for self-acceptance, challenging listeners to look beyond the surface and uncover the essence of what it means to be truly human.